https://ryanmoule.com Ryan L. Moule Fri, 02 Dec 2022 09:48:04 +0000 https://ryanmoule.com en https://ryanmoule.com/Ryan-L-Moule Fri, 02 Dec 2022 09:48:04 +0000 Ryan L. Moule https://ryanmoule.com/Ryan-L-Moule . https://ryanmoule.com/Works Thu, 18 Aug 2016 13:40:20 +0000 Ryan L. Moule https://ryanmoule.com/Works <img width="1916" height="1535" width_o="1916" height_o="1535" data-src="https://freight.cargo.site/t/original/i/f18e2f0eb3cdfe5ea915d5486ce2f802be70475e0a7545c7586b24b3722e8d86/Contaminated-Land--Anthrocite--gypsum--acidic-groundwater--Unique-Collodion-Plate.jpg" data-mid="160792882" border="0" alt=" Contaminated Land, Anthrocite, gypsum, acidic groundwater, unique collodion plate. From the Series Objects to Place in a Tomb,2022." data-caption=" Contaminated Land, Anthrocite, gypsum, acidic groundwater, unique collodion plate. From the Series &lt;i&gt;Objects to Place in a Tomb,&lt;/i&gt;2022." src="https://freight.cargo.site/w/1000/i/f18e2f0eb3cdfe5ea915d5486ce2f802be70475e0a7545c7586b24b3722e8d86/Contaminated-Land--Anthrocite--gypsum--acidic-groundwater--Unique-Collodion-Plate.jpg" /> <img width="1600" height="2133" width_o="1600" height_o="2133" data-src="https://freight.cargo.site/t/original/i/e2cfae472fccb0ea58b331c293083ac23bb07b683e03193bab8f38bbf72f8006/IMG_2092.jpg" data-mid="160792884" border="0" alt=" Installation view, wet plate collodion, walnut frame. SERCHIA Gallery, Bristol. From the Series Objects to Place in a Tomb,2022." data-caption=" Installation view, wet plate collodion, walnut frame. SERCHIA Gallery, Bristol. From the Series &lt;i&gt;Objects to Place in a Tomb,&lt;/i&gt;2022." src="https://freight.cargo.site/w/1000/i/e2cfae472fccb0ea58b331c293083ac23bb07b683e03193bab8f38bbf72f8006/IMG_2092.jpg" /> <img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/c70343e6520e7d03fd9edcd6509192e6a97b2a4e0d1fa21ef67818d70f58caab/_G7A8809.jpg" data-mid="160792874" border="0" alt=" Installation view, wet plate collodion, walnut frame. SERCHIA Gallery, Bristol. From the Series Objects to Place in a Tomb,2022." data-caption=" Installation view, wet plate collodion, walnut frame. SERCHIA Gallery, Bristol. From the Series &lt;i&gt;Objects to Place in a Tomb,&lt;/i&gt;2022." src="https://freight.cargo.site/w/1000/i/c70343e6520e7d03fd9edcd6509192e6a97b2a4e0d1fa21ef67818d70f58caab/_G7A8809.jpg" /> <img width="2500" height="1910" width_o="2500" height_o="1910" data-src="https://freight.cargo.site/t/original/i/55d138a59ee0d32281504c6c32d7f1f39c240a4b06b8ba88757eaa0895b68b62/Collodion-Plate-1-copy.jpg" data-mid="161390355" border="0" alt="Anthrocite, gypsum, unique collodion plate. From the Series Objects to Place in a Tomb, 2022" data-caption="Anthrocite, gypsum, unique collodion plate. From the Series &lt;i&gt;Objects to Place in a Tomb,&lt;/i&gt; 2022" src="https://freight.cargo.site/w/1000/i/55d138a59ee0d32281504c6c32d7f1f39c240a4b06b8ba88757eaa0895b68b62/Collodion-Plate-1-copy.jpg" /> <img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/a66fc9a92815e9ef356df3cbda5389377d9228476d863e8bfd4243543677fb87/_G7A8829.jpg" data-mid="160792878" border="0" alt=" Installation view, wet plate collodion, walnut frame. SERCHIA Gallery, Bristol. From the Series Objects to Place in a Tomb,2022." data-caption=" Installation view, wet plate collodion, walnut frame. SERCHIA Gallery, Bristol. From the Series &lt;i&gt;Objects to Place in a Tomb,&lt;/i&gt;2022." src="https://freight.cargo.site/w/1000/i/a66fc9a92815e9ef356df3cbda5389377d9228476d863e8bfd4243543677fb87/_G7A8829.jpg" /> <img width="1440" height="1800" width_o="1440" height_o="1800" data-src="https://freight.cargo.site/t/original/i/6eb20ef9cd7c435bdad770ab70f96e2be5f2e29fe7dc6188398ad422ba96fc9f/BCFB5696-45F6-4084-9353-34101D6047BE-2.JPG" data-mid="161464580" border="0" alt="Installation view, unfixed silver print, mounted on dibond, tray frame. SERCHIA Gallery, Bristol." data-caption="Installation view, unfixed silver print, mounted on dibond, tray frame. SERCHIA Gallery, Bristol." src="https://freight.cargo.site/w/1000/i/6eb20ef9cd7c435bdad770ab70f96e2be5f2e29fe7dc6188398ad422ba96fc9f/BCFB5696-45F6-4084-9353-34101D6047BE-2.JPG" /> <img width="2000" height="1599" width_o="2000" height_o="1599" data-src="https://freight.cargo.site/t/original/i/2b32527cf8b5d2a5015c83091cdcab411f5e832b929cd8ac704cf9e2d6aa3804/Collodion-Plate-2-copy.jpg" data-mid="161464945" border="0" alt="Anthrocite, gypsum, unique collodion plate. From the Series Objects to Place in a Tomb, 2022" data-caption="Anthrocite, gypsum, unique collodion plate. From the Series &lt;i&gt;Objects to Place in a Tomb,&lt;/i&gt; 2022" src="https://freight.cargo.site/w/1000/i/2b32527cf8b5d2a5015c83091cdcab411f5e832b929cd8ac704cf9e2d6aa3804/Collodion-Plate-2-copy.jpg" /> <img width="1600" height="1067" width_o="1600" height_o="1067" data-src="https://freight.cargo.site/t/original/i/c147bd155945baaf0752b5bdf85a7c239213bf14827f4d9e8ef74dc045bc2b3a/2U6A0088.jpg" data-mid="160792735" border="0" alt=" Chemically unfixed silver gelatin photographs, red darkroom safelight. Installation view, Mission Gallery. From the Series Divisible Remainder." data-caption=" Chemically unfixed silver gelatin photographs, red darkroom safelight. Installation view, Mission Gallery. From the Series &lt;i&gt;Divisible Remainder&lt;/i&gt;." src="https://freight.cargo.site/w/1000/i/c147bd155945baaf0752b5bdf85a7c239213bf14827f4d9e8ef74dc045bc2b3a/2U6A0088.jpg" /> <img width="1083" height="1500" width_o="1083" height_o="1500" data-src="https://freight.cargo.site/t/original/i/ff6edd0c7af9f057d6a8ec07a0f23613c38f25bd2f40220be5d546254de02eca/The-Structure-of-Things.jpg" data-mid="161464722" border="0" alt="Chemically unfixed silver gelatin photograph, from the series, Vessels &amp; Vestiges ." data-caption="Chemically unfixed silver gelatin photograph, from the series, &lt;i&gt;Vessels &amp; Vestiges &lt;/i&gt;." src="https://freight.cargo.site/w/1000/i/ff6edd0c7af9f057d6a8ec07a0f23613c38f25bd2f40220be5d546254de02eca/The-Structure-of-Things.jpg" /> <img width="3500" height="2333" width_o="3500" height_o="2333" data-src="https://freight.cargo.site/t/original/i/b2ad0d5ffd7b8b577a236062da4e7880ea8f10752a08ef6e5f2ceb509cac4d3a/_MG_7354_3.jpg" data-mid="160792859" border="0" alt=" Chemically unfixed silver gelatin photographs, red darkroom safelight. Installation view, Flowers Gallery. From the Series Divisible Remainder." data-caption=" Chemically unfixed silver gelatin photographs, red darkroom safelight. Installation view, Flowers Gallery. From the Series &lt;i&gt;Divisible Remainder&lt;/i&gt;." src="https://freight.cargo.site/w/1000/i/b2ad0d5ffd7b8b577a236062da4e7880ea8f10752a08ef6e5f2ceb509cac4d3a/_MG_7354_3.jpg" /> <img width="1071" height="1500" width_o="1071" height_o="1500" data-src="https://freight.cargo.site/t/original/i/0c2dbe7021b2208dadf97208f79c1cbd1c8886db3028f3a74549e6ec3219a39e/The-Anthropocene-ii.jpg" data-mid="161464728" border="0" alt="Chemically unfixed silver gelatin photograph, from the series, Vessels &amp; Vestiges ." data-caption="Chemically unfixed silver gelatin photograph, from the series, &lt;i&gt;Vessels &amp; Vestiges &lt;/i&gt;." src="https://freight.cargo.site/w/1000/i/0c2dbe7021b2208dadf97208f79c1cbd1c8886db3028f3a74549e6ec3219a39e/The-Anthropocene-ii.jpg" /> <img width="3500" height="2350" width_o="3500" height_o="2350" data-src="https://freight.cargo.site/t/original/i/1fc42d810cc1968f052981553c6f53f667c7db99c07736fb320da6fee1bddece/_MG_7356.jpg" data-mid="160792780" border="0" alt=" Chemically unfixed silver gelatin photographs, red darkroom safelight. Installation view, Flowers Gallery. From the Series Divisible Remainder." data-caption=" Chemically unfixed silver gelatin photographs, red darkroom safelight. Installation view, Flowers Gallery. From the Series &lt;i&gt;Divisible Remainder&lt;/i&gt;." src="https://freight.cargo.site/w/1000/i/1fc42d810cc1968f052981553c6f53f667c7db99c07736fb320da6fee1bddece/_MG_7356.jpg" /> <img width="3500" height="2367" width_o="3500" height_o="2367" data-src="https://freight.cargo.site/t/original/i/93af665040e9b1ec5fb5c9e4bc0921dae4af3d5f2560964655dc1bc5cfd3f8f8/_MG_7352.jpg" data-mid="160792738" border="0" alt=" Chemically unfixed silver gelatin photographs, red darkroom safelight. Installation view, Flowers Gallery. From the Series Divisible Remainder." data-caption=" Chemically unfixed silver gelatin photographs, red darkroom safelight. Installation view, Flowers Gallery. From the Series &lt;i&gt;Divisible Remainder&lt;/i&gt;." src="https://freight.cargo.site/w/1000/i/93af665040e9b1ec5fb5c9e4bc0921dae4af3d5f2560964655dc1bc5cfd3f8f8/_MG_7352.jpg" /> <img width="1175" height="1500" width_o="1175" height_o="1500" data-src="https://freight.cargo.site/t/original/i/9eca105d9438ce8e0636b4acc544bb9d36edf9e8d39ee3a2ec4c8ab77c8e46c3/Ingrid-is-a-Hybrid.jpg" data-mid="161464730" border="0" alt="Chemically unfixed silver gelatin photograph, from the series, Vessels &amp; Vestiges ." data-caption="Chemically unfixed silver gelatin photograph, from the series, &lt;i&gt;Vessels &amp; Vestiges &lt;/i&gt;." src="https://freight.cargo.site/w/1000/i/9eca105d9438ce8e0636b4acc544bb9d36edf9e8d39ee3a2ec4c8ab77c8e46c3/Ingrid-is-a-Hybrid.jpg" /> <img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/5dccc2aef9a367cbdb438c886be3a839662ab49afcfe6cabe9f02689606f03a1/copeland.jpg" data-mid="160792759" border="0" alt=" Chemically unfixed silver gelatin photographs, red darkroom safelight. Installation view, Copeland Gallery." data-caption=" Chemically unfixed silver gelatin photographs, red darkroom safelight. Installation view, Copeland Gallery." src="https://freight.cargo.site/w/1000/i/5dccc2aef9a367cbdb438c886be3a839662ab49afcfe6cabe9f02689606f03a1/copeland.jpg" /> <img width="3500" height="2333" width_o="3500" height_o="2333" data-src="https://freight.cargo.site/t/original/i/0df424971a36b2bfcab2d84a96c3ab2ae0c651832f1a0b09937ed98044873d5a/_MG_7358.jpg" data-mid="160792744" border="0" alt=" Chemically unfixed silver gelatin photographs, red darkroom safelight. Installation view, Flowers Gallery. From the Series Divisible Remainder." data-caption=" Chemically unfixed silver gelatin photographs, red darkroom safelight. Installation view, Flowers Gallery. From the Series &lt;i&gt;Divisible Remainder&lt;/i&gt;." src="https://freight.cargo.site/w/1000/i/0df424971a36b2bfcab2d84a96c3ab2ae0c651832f1a0b09937ed98044873d5a/_MG_7358.jpg" /> <img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/05adf9987aad84d47e4bd57bb98d4ae07ee8535199e59446feabc584faa0d96d/materia001.jpg" data-mid="160792846" border="0" alt=" Chemically unfixed silver gelatin photographs, red darkroom safelight. Installation view, Mat&egrave;ria Gallery, Rome." data-caption=" Chemically unfixed silver gelatin photographs, red darkroom safelight. Installation view, Matèria Gallery, Rome." src="https://freight.cargo.site/w/1000/i/05adf9987aad84d47e4bd57bb98d4ae07ee8535199e59446feabc584faa0d96d/materia001.jpg" /> <img width="444" height="670" width_o="444" height_o="670" data-src="https://freight.cargo.site/t/original/i/26877c146090037e4df5b522a1474cdc537b3ec0d90d39b3f12ed321bb8ef601/Silkmoth-Cocoon-001.jpg" data-mid="160792848" border="0" alt=" Framed 10 x 8 Negative, red darkroom safelight. Installation view, Mat&egrave;ria Gallery, Rome." data-caption=" Framed 10 x 8 Negative, red darkroom safelight. Installation view, Matèria Gallery, Rome." src="https://freight.cargo.site/w/444/i/26877c146090037e4df5b522a1474cdc537b3ec0d90d39b3f12ed321bb8ef601/Silkmoth-Cocoon-001.jpg" /> <img width="1500" height="1001" width_o="1500" height_o="1001" data-src="https://freight.cargo.site/t/original/i/cc306273cc9628a262a20c900fc6eacd228262d1b5df6107f596e80071ff87c6/Snfells--Billet---Bloom--installation-view-2--Ryan-L.-Moule--2016.jpg" data-mid="160792796" border="0" alt=" Billet &amp; Bloom(left), Silt damaged negatives, Hahnemuhle Fibre Based Print, 120 x 156cm. Hiraeth (right), Silver Gelatin Print, 34 x 45cm. Filet Filet, 2016." data-caption=" &lt;i&gt;Billet &amp; Bloom&lt;/i&gt;(left), Silt damaged negatives, Hahnemuhle Fibre Based Print, 120 x 156cm. &lt;i&gt;Hiraeth&lt;/i&gt; (right), Silver Gelatin Print, 34 x 45cm. Filet Filet, 2016." src="https://freight.cargo.site/w/1000/i/cc306273cc9628a262a20c900fc6eacd228262d1b5df6107f596e80071ff87c6/Snfells--Billet---Bloom--installation-view-2--Ryan-L.-Moule--2016.jpg" /> <img width="3000" height="2002" width_o="3000" height_o="2002" data-src="https://freight.cargo.site/t/original/i/2564ec79570db1c19e1ecc58e2b84cb23d37b9296854e9544ae1cc7619194e36/Snfells--Billet-_-Bloom--Ryan-L.-Moule-2016.jpg" data-mid="160792802" border="0" alt=" Billet &amp; Bloom, Silt damaged negatives, Hahnemuhle Fibre Based Print, 120 x 156cm." data-caption=" Billet &amp; Bloom&lt;/i&gt;, Silt damaged negatives, Hahnemuhle Fibre Based Print, 120 x 156cm." src="https://freight.cargo.site/w/1000/i/2564ec79570db1c19e1ecc58e2b84cb23d37b9296854e9544ae1cc7619194e36/Snfells--Billet-_-Bloom--Ryan-L.-Moule-2016.jpg" /> <img width="1280" height="800" width_o="1280" height_o="800" data-src="https://freight.cargo.site/t/original/i/c7d904ae890dec4dc1357117f0538aad07b1e49d52ae2cdbce9bca75f149a931/tumblr_n308fqSUpK1trb1pco1_1280_o.jpg" data-mid="160792792" border="0" alt=" As is the Sea, four 127 x 152cm gicl&eacute;e prints. In collaboration with Alexander Duncan." data-caption=" &lt;i&gt;As is the Sea&lt;/i&gt;, four 127 x 152cm giclée prints. In collaboration with &lt;a href=&quot;http://www.alexanderpaulduncan.com/&quot; target=&quot;_blank&quot;&gt;Alexander Duncan&lt;/a&gt;." src="https://freight.cargo.site/w/1000/i/c7d904ae890dec4dc1357117f0538aad07b1e49d52ae2cdbce9bca75f149a931/tumblr_n308fqSUpK1trb1pco1_1280_o.jpg" /> &nbsp; https://ryanmoule.com/Information Thu, 18 Aug 2016 13:47:11 +0000 Ryan L. Moule https://ryanmoule.com/Information Information Ryan L. Moule works at the intersection between photography, moving image and installation, employing unstable materials and processes as a method to destabilise the ‘passive flow’ of contemporary visual culture. His practice-based research examines the representation of time and its passing. Moule’s research alludes to traces and fragments of natural and human histories, evoking a past on the brink of disapperance and an uncertain vision of the future -&nbsp; an echo from a civilisation to come.&nbsp; Moule has exhibited both nationally and internationally in group and solo show including National Museum of Wales, Cariff,&nbsp;Serchia Gallery, Bristol, Materia Gallery, Rome, The Photographers Gallery, London, Flowers Gallery, London, Jerwood Space, London, Ffotogallery, Wales, Format Festival, Derby &amp; ICA, London. &nbsp;e: studio@ryanmoule.com Instagram CV Ryan L. Moule is a Fine Artist, Lead Researcher, Senior Lecturer and Head of Undergraduate Photographic Studies at Swansea College of Art, University of Wales. Education 2011 - 13 | MA, Photography (distinction), Royal College of Art. 2006 - 09 | BA (Hons) 1st Class, Photography in the Arts, Swansea Metropolitan University. Solo Exhibitions 2023 |&nbsp;Fields, Stiwdio Griffith, Swansea. 2022 | Objects to Place in a Tomb , Serchia Gallery, Bristol. 2020 | Seasons Over the Liquid World , Art Lacuna, London. 2018 | Latent Call , Matèria Gallery, Rome, Italy. 2017 | Vessels and Vestiges, Jerwood Project Space, London, UK. 2015 | Divisible Remainder, Mission Gallery, UK. 2014 | Deviated Light, Ffotogallery, Cardiff, UK. 2013 | Latency Principles, Nextart, Gothenburg, Sweden. Selected Group Exhibitions 2024 | The Valley’s, National Museum of Wales, Cardiff, UK. 2023 | Until You Touch It, SCAR, UK. 2023 | AFK, Stwidio Griffith, Swansea, UK. 2023 | Paper Geographies, Format Festival, Derby, UK. 2021 | JPA, Mission Gallery, Swansea, UK. 2021 | Unstable/Sustainable, Format Festival, Derby, UK.&nbsp; 2020 | With Monochrome Eyes, Borough Road Gallery, London, UK. 2019 | The Arcades Project, Duke Street, Cardiff,&nbsp; UK. 2019 | 50:50, SCA, Swansea, UK. 2018 | Fields One, Sluice HQ, London, UK. 2018 | September Project, Bayswater, London, UK. 2018 | Photoworks Presents, Collaborate, London, UK. 2018 | Time Pieces, 0-0-1, Milan, Italy. 2017 | Hyperanalogue, The Photographers Gallery, London, UK. 2017 | Scratch the Surface, Aldama Fabre Gallery, Bilbao, Spain. 2017 | Archipelago, MIA, Milan, Italy 2016 | Burning with Pleasures, a r c h i p e l a g o, Materia, Rome, Italy. 2016 | DKUK, London, UK. 2016 | Between the Lines, a r c h i p e l a g o, Roz Bar Gallery, London, UK. 2016 | Ouvrage, a r c h i p e l a g o, Twenty 14 Contemporary, Milan, Italy. 2016 | Snæfell (w/ Philipp Dorl), Filet Filet, London, UK. 2016 | Murmur, Flowers Gallery, London, UK. 2016 | I Never Read, Art Book Fair, Basel. Switzerland 2016 | Peckham 24, Photo London, UK.&nbsp; 2016 | Dark Adaptation (Part One &amp; Two), South Kiosk/Seen Fifteen, London, UK. 2016 | Moving Still, Rough Print Gallery, Dalston, London, UK. 2015 | a r c h i p e l a g o, Off Print Paris Photo, France. 2015 | a r c h i p e l a g o, London, Uk.&nbsp; 2015 | Diffusion Festival, Cardiff, UK. 2015 | The London Art Book Fair, Whitechapel Gallery, UK 2015 | Offprint, Tate Modern, Turbine Hall, London, UK. 2014 | NY Art Book Fair, MoMa PS1, New York, USA. 2014 | Unseen Photo Fair, Amsterdam, Netherlands. 2014 | Room &amp; Book, ICA, London, UK. 2014 | As is the Sea, Henry Moore Gallery, London, UK. 2014 | Fix, South Kiosk, London, UK. 2013 | Pilot, King Henry's Road, London, UK. 2013 | 21st Century Art and Design, Christie's London, St. James, London, UK. 2013 | Splinter, Michael Hoppen Gallery, London, UK. 2013 | From Common Differences, Diffusion Festival, Cardiff, Wales. 2013 | The Part and The Whole, Galleri Monitor, Gothenburg, Sweden. 2012 | All I want…, October Gallery, Bloomsbury, London, UK. 2011 | This Unfolds, Ffotogallery, Cardiff, Wales 2010 | Fugitive Testimony, Mission Gallery, Swansea, Wales Awards &amp; Commissions 2018 | Shpilman International Prize for Excellence in Photography, The Israel Museum, Jerusalem. Shortlisted. 2018 | Latent Call, Matèria, D.O.O.R, Winner. 2017 | ING Unseen Talent Award, Shortlisted. 2017 | Paul Huf Award, Shortlisted. 2017 | Jerwood / Photoworks Award, Shortlisted. 2015 | Jane Philips Award. 2015 | Arts Council of Wales Production Grant. 2015 | Jerwood / Photoworks Award, Shortlisted. 2013 | Flint House Commission, Waddesdon Manor. 2013 | John Hedgecoe Scholarship. Publications Site Specific: Photography Exhibitions from Around the World, 2023 (Tall Poppy Press, Melbourne, Australia) To Be Photographed, ed Paul Paper, 2017 (Lugemik, Estonia) Latent Frequencies, 2014 (Ffotogallery / Bookworks, London) As is the Sea, 2014 (Royal College of Art, London) Waving Flags, 2013 (Black Dog Publishing, London) From Common Differences, 2013 (Swansea Metropolitan University, Swansea) All I Want is Out of Here, 2012 (Royal College of Art, London) January, 2010 (Self Published Artist book) Employment 2022 - Present | Senior Lecturer. Head of Undergraduate Photographic Studies, Swansea College of Art, University of Wales. 2012 - 2022 | Pathway Leader MA Fine Art, Lecturer BA (Hons) Photography in the Arts &amp; Contextual Studies, Swansea College of Art, University of Wales. 2009-2011 | Claire de Rouen Books, London. External Examining 2022 - 2026 | External Examiner, BA Photography, Arts University Bournemouth. 2020 - 2025 | External Examiner, BA Photography, London College of Communication. 2017 - 2021 | External Examiner, BA Fine Art, University Centre Somerset. Visiting Lecturing 2022 |&nbsp;Visiting Lecturer, Manchester Metropolitan University 2018 | Visiting Lecturer, Royal College of Art 2018 | Visiting Lecturer, Arts University Bournemouth 2013 | Visiting Lecturer, London College of Communication https://ryanmoule.com/Texts Thu, 18 Aug 2016 13:49:07 +0000 Ryan L. Moule https://ryanmoule.com/Texts i. Camille Ines Relet, Exhibition Review of Objects to Place in a Tomb.Serchia Gallery Download PDF ii. Hatty Nestor, Tracing Acts, on Vessels &amp; Vestiges.Jerwood Space Download PDF iii. Ryan L. Moule in Conversation with Simon Boase.Axisweb Download PDF iv. Rowan Lear, Divisible Remainder.Photomonitor Download PDF v. Alexander García Düttmann, More or Less.Latent Frequencies Download PDF vi. Marco Bohr, Ryan L. Moule: The Impermanence of Photography.Photomonitor Download PDF vii. Richard Page, The Perfect Distance.Extracts from Latent Frequencies Art Book Download PDF viii. Catherine Yass, Snæfells.Photomonitor Download PDF https://ryanmoule.com/Publication Fri, 19 Aug 2016 08:54:15 +0000 Ryan L. Moule https://ryanmoule.com/Publication Extracts from: The Perfect Distance: Ryan L. Moule's Latent Frequencies, by Richard Page. "The prehistoric ocean is a space of disappearance and forgetting. These houses topple, at the threshold of history, into the sea; this moment of liminality playing witness to it's own oblivion, as the present slides into the past… The buildings, abandoned to erosion, are familiar structures that now uncannily stand as monuments to the very fragility of permanence... Moule presents 'unfixed' prints - a relic of chemical photography. The latent image continues to fade as it is exposed to light over the duration of its existence, thus it is the very act of looking that effaces the image, leaving no trace. As light erases the image, it dematerialises the photographic object too, posing the impossibility of immortalisation" Ryan L. Moule Latent Frequencies Ten chemically unfixed silver gelatin handprintsEssay by Richard PageDesigned | Produced by Book Works, LondonEdition of TenSupported by Ffotogallery Download PDF