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              Work

         Texts
Contaminated Land, Anthrocite, gypsum, acidic groundwater, unique collodion plate. From the Series Objects to Place in a Tomb,2022. Installation view, wet plate collodion, walnut frame. SERCHIA Gallery, Bristol. From the Series Objects to Place in a Tomb,2022. Installation view, wet plate collodion, walnut frame. SERCHIA Gallery, Bristol. From the Series Objects to Place in a Tomb,2022. Anthrocite, gypsum, unique collodion plate. From the Series Objects to Place in a Tomb, 2022 Installation view, wet plate collodion, walnut frame. SERCHIA Gallery, Bristol. From the Series Objects to Place in a Tomb,2022. Installation view, unfixed silver print, mounted on dibond, tray frame. SERCHIA Gallery, Bristol. Anthrocite, gypsum, unique collodion plate. From the Series Objects to Place in a Tomb, 2022 Chemically unfixed silver gelatin photographs, red darkroom safelight. Installation view, Mission Gallery. From the Series Divisible Remainder. Chemically unfixed silver gelatin photograph, from the series, Vessels & Vestiges . Chemically unfixed silver gelatin photographs, red darkroom safelight. Installation view, Flowers Gallery. From the Series Divisible Remainder. Chemically unfixed silver gelatin photograph, from the series, Vessels & Vestiges . Chemically unfixed silver gelatin photographs, red darkroom safelight. Installation view, Flowers Gallery. From the Series Divisible Remainder. Chemically unfixed silver gelatin photographs, red darkroom safelight. Installation view, Flowers Gallery. From the Series Divisible Remainder. Chemically unfixed silver gelatin photograph, from the series, Vessels & Vestiges . Chemically unfixed silver gelatin photographs, red darkroom safelight. Installation view, Copeland Gallery. Chemically unfixed silver gelatin photographs, red darkroom safelight. Installation view, Flowers Gallery. From the Series Divisible Remainder. Chemically unfixed silver gelatin photographs, red darkroom safelight. Installation view, Matèria Gallery, Rome. Framed 10 x 8 Negative, red darkroom safelight. Installation view, Matèria Gallery, Rome. Billet & Bloom(left), Silt damaged negatives, Hahnemuhle Fibre Based Print, 120 x 156cm. Hiraeth (right), Silver Gelatin Print, 34 x 45cm. Filet Filet, 2016. Billet & Bloom, Silt damaged negatives, Hahnemuhle Fibre Based Print, 120 x 156cm. As is the Sea, four 127 x 152cm giclée prints. In collaboration with Alexander Duncan.